Franz Kafka s 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers. In her new translation of Kafka s masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa s grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment."

Winner of the Independent Foreign Fiction Prize and the Hans Fallada Prize, The End of Days, by the acclaimed German writer Jenny Erpenbeck, consists essentially of five "books," each leading to a different death of the same unnamed female protagonist. How could it all have gone differently?-the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there.... A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century.

Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper, covered with tiny ant-like pencil markings a millimeter high, came to light only after the author s death in 1956.At first considered random restless pencil markings or a secret code, the microscripts were in time discovered to be a radically miniaturized form of antique German script: a whole story was deciphered on the back of a business card. These twenty-five short pieces address schnapps, rotten husbands, small town life, elegant jaunts, the radio, swine, jealousy, and marriage proposals."

A beautiful and elegant collection, with gorgeous full-color art reproductions, Looking at Pictures presents a little-known side of the eccentric Swiss genius: his great writings on art. His essays consider Van Gogh, Cezanne, Rembrandt, Cranach, Watteau, Fragonard, Brueghel and his own brother Karl and also discuss general topics such as the character of the artist and of the dilettante as well as the differences between painters and poets. Every piece is marked by Walser's unique eye, his delicate sensitivity, and his very particular sensibilities-and all are touched by his magic screwball wit.

The first English-language biography of one of the great literary talents of the twentieth century, written by his award-winning translator Finalist for the 2021 NBCC Award for Biography "[An] authoritative, moving biography. . . . Walser made of his own multiform solitudes a gift to the outside world, offering readers an existential sympathy of a kind for which only he could find the appropriate literary expression."-Paul Binding, Times Literary Supplement The great Swiss-German modernist author Robert Walser lived eccentrically on the fringes of European society-his pronounced interest in everything inconspicuous and modest prompted W. G. Sebald to dub him "a clairvoyant of the small." His revolutionary use of short prose forms won him the admiration of Franz Kafka, Walter Benjamin, Robert Musil, and many others. In this immaculately researched and beautifully written biography Susan Bernofsky sets Walser in the context of early twentieth century European history, establishing him as one of the most important modernist writers.

A pseudo-biographical "stroll" through town and countryside rife with philosophical musings, The Walk has been hailed as the masterpiece of Walser's short prose. Walking features heavily in his writing, but nowhere else is it as elegantly considered. Without walking, "I would be dead," Walser explains, "and my profession, which I love passionately, would be destroyed. Because it is on walks that the lore of nature and the lore of the country are revealed, charming and graceful, to the sense and eyes of the observant walker." The Walk was the first piece of Walser's work to appear in English, and the only one translated before his death. However, Walser heavily revised his most famous novella, altering nearly every sentence, rendering the baroque tone of his tale into something more spare. An introduction by translator Susan Bernofsky explains the history of The Walk, and the differences between its two versions.

A house on the forested bank of a Brandenburg lake outside Berlin (once belonging to Erpenbeck s grandparents) is the focus of this compact, beautiful novel. Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change."

Franz Kafka's classic 1915 novella remains one of the most widely read works of fiction in the world. This Norton Critical Edition is based on Susan Bernofsky's acclaimed new translation, accompanied by the translator's note and Mark M. Anderson's preface and explanatory annotations.

In the novel, "Siddhartha," a young man, leaves his family for a contemplative life, then, restless, discards it for one of the flesh. He conceives a son, but bored and sickened by lust and greed, moves on again. Near despair, Siddhartha comes to a river where he hears a unique sound. This sound signals the true beginning of his life -- the beginning of suffering, rejection, peace, and, finally, wisdom.

"From the Paperback edition."

One of the great contemporary European writers takes on Europe's biggest issue Richard has spent his life as a university professor, immersed in the world of books and ideas, but now he is retired, his books remain in their packing boxes and he steps into the streets of his city, Berlin. Here, on Alexanderplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us. At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

A bear, born and raised in captivity, is devastated by the loss of his keeper; another finds herself performing in the circus; a third sits down one day and pens a memoir which becomes an international sensation, and causes her to flee her home. Through the stories of these three bears, Tawada reflects on our own humanity, the ways in which we belong to one another and the ways in which we are formed. Delicate and surreal, Memoirs of a Polar Bear takes the reader into foreign bodies and foreign climes, and immerses us in what the New Yorker has called 'Yoko Tawada's magnificent strangeness'.

Peter Szondi's "Celan Studies" marked the beginning of critical work on Paul Celan, the most important German poet of the second half of the twentieth century.
The book's three studies each concentrate on a different Celan poem. "The Poetry of Constancy: Paul Celan's Translation of Shakespeare's Sonnet 105" investigates a historical turn from a poetry that claims to present its object to a poetry that only promises to do so. "Reading 'Engfuhrung'" follows the movement of poetic language into territory undisclosed to epistemic reason. "Eden" addresses "Du liegst," a poem on the murder of Rosa Luxemburg and Karl Liebknecht; Szondi actually was with Celan when the poem was written. It analyzes the relation between the historical facts to which a poem refers and its composition.
The book contains, as appendixes, Szondi's notes for three more projected studies of Celan poems, left unwritten at the time of his death in 1971.

A gorgeous collection of fantastic and dreamlike tales by one of the world's most innovative contemporary writers.
"Where Europe Begins" presents a collection of startling new stories by Japanese writer Yoko Tawada. Moving through landscapes of fairy tales, family history, strange words and letters, dreams, and every-day reality, Tawada's work blurs divisions between fact and fiction, prose and poetry. Often set in physical spaces as disparate as Japan, Siberia, Russia, and Germany, these tales describe a fragmented world where even a city or the human body can become a sort of text. Suddenly, the reader becomes as much a foreigner as the author and the figures that fill this book: the ghost of a burned woman, a woman traveling on the Trans-Siberian railroad, a mechanical doll, a tongue, a monk who leaps into his own reflection. Tawada playfully makes the experience of estrangement--of a being in-between--both sensual and bewildering, and as a result practically invents a new way of seeing things while telling a fine story.

The most comprehensive collection of perspectives on translation to date, this anthology features essays by some of the world's most skillful writers and translators, including Haruki Murakami, Alice Kaplan, Peter Cole, Eliot Weinberger, Forrest Gander, Clare Cavanagh, David Bellos, and Jos? Manuel Prieto. Discussing the process and possibilities of their art, they cast translation as a fine balance between scholarly and creative expression. The volume provides students and professionals with much-needed guidance on technique and style, while affirming for all readers the cultural, political, and aesthetic relevance of translation.

These essays focus on a diverse group of languages, including Japanese, Turkish, Arabic, and Hindi, as well as frequently encountered European languages, such as French, Spanish, Italian, German, Polish, and Russian. Contributors speak on craft, aesthetic choices, theoretical approaches, and the politics of global cultural exchange, touching on the concerns and challenges that currently affect translators working in an era of globalization. Responding to the growing popularity of translation programs, literature in translation, and the increasing need to cultivate versatile practitioners, this anthology serves as a definitive resource for those seeking a modern understanding of the craft.

By the side of a lake in Brandenburg, a young architect builds the house of his dreams - a summerhouse with wrought-iron balconies, stained-glass windows the colour of jewels, and a bedroom with a hidden closet, all set within a beautiful garden. But the land on which he builds has a dark history of violence that began with the drowning of a young woman in the grip of madness and that grows darker still over the course of the century: the Jewish neighbours disappear one by one; the Red Army requisitions the house, burning the furniture and trampling the garden; a young East German attempts to swim his way to freedom in the West; a couple return from brutal exile in Siberia and leave the house to their granddaughter, who is forced to relinquish her claim upon it and sell to new owners intent upon demolition. Reaching far into the past, and recovering what was lost and what was buried, Jenny Erpenbeck tells a story both beautiful and brutal, about the things that haunt a home.

The Robber, Robert Walser’s last novel, tells the story of a dreamer on a journey of self-discovery. It is a hybrid of love story, tragedy, and farce, with a protagonist who sweet-talks teaspoons, flirts with important politicians, plays maidservant to young boys, and uses a passerby’s mouth as an ashtray. Walser’s novel spoofs the stiff-upper-lipped European petit bourgeois and its nervous reactions to whatever threatens the stability of its worldview.

A child is found standing on the street with an empty bucket in her hand and no memory of her name, her family or her past. Elsewhere, a girl grows up surrounded by familiar faces - a wet nurse, a piano teacher, a gardener, a best friend and a distant mother - but soon finds them slipping mysteriously from her life. In the company of these girls, we are compelled to tread the uncertain and spiky terrain of memory, where words are dropped like clues to reveal what has been hidden, forgotten or erased.

The Memoirs of a Polar Bear has in spades what Rivka Galchen hailed in the New Yorker as "Yoko Tawada's magnificent strangeness"-Tawada is an author like no other. Three generations (grandmother, mother, son) of polar bears are famous as both circus performers and writers in East Germany: they are polar bears who move in human society, stars of the ring and of the literary world. In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son-the last of their line-is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away... Happy or sad, each bear writes a story, enjoying both celebrity and "the intimacy of being alone with my pen."

A precocious Vietnamese high school student - known as the pupil with "the iron blouse"-in Ho Chi Minh City is invited to an International Youth Conference in East Berlin. But, in East Berlin, as she is preparing to present her paper in Russian on "Vietnam as a Victim of American Imperialism," she is abruptly kidnapped and taken to a small town in West Germany. After a strange spell of domestic-sexual boredom with her lover-abductor-and though "the Berlin Wall was said to be more difficult to break through than the Great Wall of China" - she escapes on a train to Moscow . . . but mistakenly arrives in Paris. Alone, broke, and in a completely foreign land, Anh (her false name) loses herself in the films of Catherine Deneuve as her real adventures begin. Dreamy, meditative, and filled with the gritty everyday perils of a person living somewhere without papers (at one point Anh is subjected to some vampire-like skin experiments), The Naked Eye is a novel that is as surprising as it is delightful-each of the thirteen chapters titled after and framed by one of Deneuve's films. "As far as I was concerned," the narrator says while watching Deneuve on the screen, "the only woman in the world was you, and so I did not exist." By the time 1989 comes along and the Iron Curtain falls, story and viewer have morphed into the dislocating beauty of both dancer and dance.

Born in Switzerland in 1878, Robert Walser worked as a bank clerk, a butler in a castle, and an inventor's assistant before discovering what William H. Gass calls his "true profession". From 1899 until he was misdiagnosed a schizophrenic and hospitalized in 1933, Walser produced nine novels and more than a thousand short stories and prose pieces.

Walser's contemporary admirers were few but well-placed. They included Franz Kafka, Hermann Hesse, Robert Musil, and Walter Benjamin. Today Robert Walser is widely regarded as one of the most important and original literary voices of the twentieth century. In "Masquerade" and Other Stories, Susan Bernofsky presents a representative selection of Walser's work, from his first published fiction to the stately prose of the last years before his voice vanished forever behind the asylum walls. Written between 1899 and 1933, these 64 sketches, scenes, stories, and wanderings through landscapes and dreamscapes are characterized by startling, skewed comparisons, warpings of syntax, vagaries of perspective, and a delight in contradiction. Quirky, playful, and sometimes bizarre, Walser's texts were unconventional by the standards of the early twentieth century. They are still innovative in the context of today's fiction.

Winner of the 2015 Independent Foreign Fiction Prize From one of the most daring voices in European fiction, this is a story of the twentieth century traced through the various possible lives of one woman. She is a baby who barely suffocates in the cradle. Or perhaps not? She lives to become as an adult and dies beloved. Or dies betrayed. Or perhaps not? Her memory is honoured. Or she is forgotten by everyone. Moving from a small Galician town at the turn of the century, through pre-war Vienna and Stalin's Moscow to present-day Berlin, Jenny Erpenbeck homes in on the moments when life follows a particular branch and 'fate' suddenly emerges from the sly interplay between history, character and pure chance. The End of Days is a novel that pulls apart the threads of destiny and allows us to see the present and the past anew.

Peter Szondi's "Celan Studies" marked the beginning of critical work on Paul Celan, the most important German poet of the second half of the twentieth century.
The book's three studies each concentrate on a different Celan poem. "The Poetry of Constancy: Paul Celan's Translation of Shakespeare's Sonnet 105" investigates a historical turn from a poetry that claims to present its object to a poetry that only promises to do so. "Reading 'Engfuhrung'" follows the movement of poetic language into territory undisclosed to epistemic reason. "Eden" addresses "Du liegst," a poem on the murder of Rosa Luxemburg and Karl Liebknecht; Szondi actually was with Celan when the poem was written. It analyzes the relation between the historical facts to which a poem refers and its composition.
The book contains, as appendixes, Szondi's notes for three more projected studies of Celan poems, left unwritten at the time of his death in 1971.

The most comprehensive collection of perspectives on translation to date, this anthology features essays by some of the world's most skillful writers and translators, including Haruki Murakami, Alice Kaplan, Peter Cole, Eliot Weinberger, Forrest Gander, Clare Cavanagh, David Bellos, and Jos? Manuel Prieto. Discussing the process and possibilities of their art, they cast translation as a fine balance between scholarly and creative expression. The volume provides students and professionals with much-needed guidance on technique and style, while affirming for all readers the cultural, political, and aesthetic relevance of translation.

These essays focus on a diverse group of languages, including Japanese, Turkish, Arabic, and Hindi, as well as frequently encountered European languages, such as French, Spanish, Italian, German, Polish, and Russian. Contributors speak on craft, aesthetic choices, theoretical approaches, and the politics of global cultural exchange, touching on the concerns and challenges that currently affect translators working in an era of globalization. Responding to the growing popularity of translation programs, literature in translation, and the increasing need to cultivate versatile practitioners, this anthology serves as a definitive resource for those seeking a modern understanding of the craft.